Episode synopsis
Chapter Eighteen: The Miracles of Sabrina Spellman – On the heels of a most perplexing spectacle, Sabrina dives deeper into her newfound power, and Zelda slips into the role of Lady Blackwood.
Cast
Kiernan Shipka…Sabrina Spellman
Ross Lynch…Harvey Kinkle
Lucy Davis…Hilda Spellman
Chance Perdomo…Ambrose Spellman
Michelle Gomez…Mary Wardwell
Jaz Sinclair…Rosalind Walker
Tati Gabrielle…Prudence Night
Adeline Rudolph…Agatha
Richard Coyle…Father Faustus Blackwood
Miranda Otto…Zelda Spellman
Abigail Cowen…Dorcas
William B. Davis…Methuselah
Jedidiah Goodacre…Dorian Gray
Gavin Leatherwood…Nicholas Scratch
Christopher Rosamond…Mr. Kinkle
Lachlan Watson…Theo Putnam
Best character
I love Aunt Zelda, she’s just too cool. There’s no way she would have been a controlled, doting wife for long. She’s far too fiery for that.
Favourite scenes
*I do not own the rights to any videos in this post, no copyright infringement was intended. All rights go to the production studio*
Best quotes and one liners
HILDA: It’s raining cats and dogs out there. Nice weather for ducks, not for witches.
FATHER BLACKWOOD: Ms. Spellman, we’ve heard reports of levitation. The slaughter of angels. The resurrection of dead witches. How does a first-year, half-mortal student manage that?
SABRINA: You know the story of Pandora, don’t you, Father Blackwood? It’s almost a parable. A cautionary tale. The gods give Pandora a jar containing all the sorrows of the world. Toil, famine, pestilence, death. They armed her for vengeance, Father Blackwood. For destruction. So when you ask me to explain these “miracles,” as you call them, I feel I must warn you. Do you really want to open that lid?
SABRINA: Great, they’re all terrified of me.
NICK: Can you blame ’em? I mean, you died and then brought yourself back to life, which is, it goes without saying, a paradox. The word that keeps coming up is “miracles.”
SABRINA: What’s weird is that they are things I’ve never done before. My friend Roz was blind, then I made it so she can see again. Without a spell or a sacrifice.
NICK: That’s not how our witchcraft works. There’s always an incantation.
SABRINA: Maybe it’s because I’m not a normal witch. I mean, I’ve always assumed being half-mortal made me less than, in some way. But maybe being half-mortal is what’s allowing me to tap into these other… mystical energies. And maybe… maybe I was given these gifts so that I can make the world a better place. That could be why my father’s vision for the future of the Church of Night hinged on the union between witches and mortals. Because it would produce…
NICK: You.
SABRINA: Witches 2.0. I think that’s why I came back, Nick, to spread his gospel.
NICK:Well, be careful. The Council won’t like being challenged by a 16-year-old girl. On the contrary, they’ll silence you.
SABRINA: They can try.
HILDA: Oh! “Mortals and witches.” Side by side. Two by two. It’s like Noah’s bloody Ark.
ZELDA: It’s diabolical, and not in the good way.
Final thoughts and fun facts
Ms Wardwell/Lilith pulls a rib from her side to create “Adam,” just as how in the Genesis story God takes a rib from Adam to create Eve. We love a feminist queen. She steals the show to be honest.
I love that when Sabrina wants to fly off the roof to prove to mortal that witches are real she feels the need to use a broom because witches always fly on brooms right? The fact that she literally flying won’t make a difference unless there’s a broom underneath her.
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